Deborah Sibony

The relationship between architecture and nature is a central theme which informs my work. I am interested how our landscapes reveal history and sense of place and how it affects the human condition. From industrial sites which have been abandoned and are in the process of being dismantled to transitional landscapes which are in constant

Andrew Brown

I’m here only once in this beautiful, messy world and I’m astonished to find myself—of all things—a full time easel painter in Oakland! I paint because I have to. My only art training is a lifelong obsession with Goya, and thirty years of constantly evolving, expressive, live model drawing. And painting. Lots of painting. I

Sarah Comey Cluff

I am a life-long amateur art maker. I regularly produce printed and embroidered fabric housewares (curtains, tablecloths and napkins, dish towels, wearable art) as well as travel drawings, nature photography, mixed media paintings, and comics. My desire to participate in Open Studios is to show my work for feedback and to hold space for a

Paul Nathan Feinberg

A wiser person than I once described art as the intermediary between the physical and the spiritual. I share in that opinion. The creative act is the linchpin of my personal spiritual quest. This does not imply that the creative product is overtly religious or spiritual, simply that the process has a spiritual component. I

Tiffany Conway

Tiffany Conway is a Bay Area painter who creates vibrant, imaginative works that celebrate the African Diaspora. Born in 1984, Tiffany brings a bold, expressive style to paintings that explore the intersections of past and present. While largely self-taught, Tiffany is an award-winning artist and participated in exhibitions across California. Her paintings seek to capture

Jules Kobelin

With over 30 years of experience in the realms of commercial art, design, and film, I embark on abstract explorations that blend the ethereal with a touch of representation. My creative journey is a combination of memories and emotional responses, woven into the fabric of landscapes, florals, and portraits. These creations tell unique stories, capturing

Sally K. Smith

I create charcoal from unique materials such as money, food, documents and plants. These materials have meanings that I can integrate into a drawing or painting. I have developed methods for applying these unconventional charcoals to surfaces. Most of my charcoal pieces are minimalist and conceptual. Some revolve only around pattern or gesture. The materials

Katherine Bacher

I design my fabric with a specific process and do the sewing for scarfs, bags and purses, pillows and necklaces with unique embellishments such as ribbons, yarns, beads and buttons. Occasionally I do abstract work and my original drafts such drawings and paintings for the fabric can be used as abstract work as well. It

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